Bossa Nova Piano – Girl From Ipanema


Bossa nova piano playing is but one of many different styles that we piano players need to practice – but what a fun and challenging style of piano it is! Bossa nova is a style of Brazilian music and (in the jazz world) is often characterized under the catch-all label of “latin jazz.” The most distinctive aspect of bossa nova piano playing is the rhythm, which makes it an excellent topic for studying comping. And that’s what we’ll be looking at in this article – bossa nova piano comping using the classic tune “Girl from Ipanema.”

Bossa Nova Piano – The Left-Hand Rhythm

The whole trick to mastering the bossa nova is being able to play the rhythm. When broken down to individual parts the rhythm is fairly simple. The challenge is trying to layer these two rhythms (left hand and right hand) over each other.

Let’s take a look at the first 8 bars of “Girl From Ipanema.”

bossa nova piano 1

The bass line will be played by the left hand and follows some very basic “rules”:

  1. The bass line is a simple and recurring rhythmic figure;
  2. The bass line is built on the root and 5th of the chord;
  3. The bass line anticipates chord changes (more on this in a moment).

Let’s take a look at the left hand bass line and rhythm and examine the 3 “rules” above.

bossa nova piano 2

As you can see, the rhythm of the bass line is a dotted-quarter note followed by an eighth note. Each chord is outlined by playing the root of the chord and then down to the 5th of the chord (you can also play up to the 5th of the chord). Notice that when the chord changes, the last eighth note of the previous measure anticipates that change. For example, in measure 2 the last note of the bass line is a ‘G’ even though the chord above is still F major. But the bass line anticipates this chord change.

Practice this bass line rhythm slowly with your metronome.

Bossa Nova Piano – The Right-Hand Rhythm

The right-hand part has its own distinct rhythm. In the example below we’ve used rootless voicings in each of our chords. Notice that the right-hand rhythm is a 2-bar phrase that repeats over and over. Practice this comping rhythm slowly with your metronome, being as precise as possible with your rhythmic placement. It will be very important to have each part (right hand and left hand) fully learned before trying to put hands together.

bossa nova piano 3

Bossa Nova Piano – Playing Hands Together

Now comes the challenging part – putting hands together. The trick here is to start slowly, perhaps even just focusing on two measures at a time. Be very careful to count and play the rhythms precisely. As you improve start to gradually increase the tempo, using your metronome. Notice the interlocking aspect of the two parts, creating a rhythmically dense texture. This is the hallmark of the bossa nova rhythm. Go through the rest of the tune, applying this comping pattern to the other chords. Once learned, practice comping along with a recording.

bossa nova piano 4

More to explore...


“Ain’t No Sunshine” and Drop-2 Voicings

The Bill Withers classic song “Ain’t No Sunshine” is a funky R&B standard that has also found a home in jazz circles. This is probably because the song has many traditional elements of jazz present in the song. For example, the song is based on an 8-bar modal cycle that features a minor blues-type of

Read More »

Willie’s Grand Piano And Studio Upgrade

I’ve been lucky enough to have some nice pianos in my life. My old studio piano was a 1925 Kanabe 6′ grand piano. My Kanabe and I have had some great memories together. In fact I wrote and rehearsed the songs for both of my albums on that piano. Now my Kanabe lives in my

Read More »
Jazzedge Teachers

Welcome Paul Buono

Paul Buono has returned to the JazzEdge family as an instructor.  His professional piano/keyboard experience includes national and international touring, university professor, musical director, pit musician, sideman, composer/arranger, middle school teacher, and even a brief stint as a… lawyer(?)!   Willie:  What got you started on the piano? Paul:  My grandfather was a very good

Read More »

Organize Your Piano Practice

The hardest part of practicing the piano is finding the time.  In our busy world, it is not always easy to set aside 30 minutes a day to practice the piano. In addition, the fact that the piano is often practiced solo (not in a group setting) only exacerbates the situation. I’ve learned over the

Read More »
Piano Tips

Chord Progressions You Must Know

One of the first overwhelming concepts you encounter when you begin studying jazz piano is the number of chords and chord progressions. There are a lot. A real lot. But when you really break it down there are actually a finite number of chords. And to be perfectly honest with you, the VAST majority of

Read More »

Rhythm Exercises – Part 3 (Advanced)

In this article, our third in the “Rhythm Exercises” series, we’ll be looking at some advanced and challenging rhythmic exercises. These are really meant to test your rhythmic understanding and execution, so if they’re too difficult, don’t worry. Start off with our Part 1 and Part 2 rhythmic exercises, master those, and then build up

Read More »


Your email address will not be published. Required fields are marked *

    1. So David, you´re hijacking Willie´s forum in order to publicize your own product. Do you think people are too stupid not to be able to see through the transparency of your parasitical tactic ?

  1. So at what point do you play the right hand melody that you have listed with the first staff of music? It’s a little confusing to me that you placed that melody under the left hand rhythm caption heading.

  2. Confusing. “The bass line is built on the root and 5th of the chord.” Which chord, the first one, FM?

    It’s in the key of FM, the root and the first chord is FM. But, the next chord is G which is the 5th of C.

  3. Janet Hudgins:
    The chord in the first two measures is FMaj7 so the bass line notes are F and C, which are the root and fifth of that chord

    The chord in the second two measures is G7 so the bass line notes you would play in those measures would be G and D, which are the root and fifth of that chord.

    And so on and so forth

  4. Many thanks for this enjoyable rhythmic exercise to practice over and over. Love your explanation of how the “and” of beat 4 anticipates the chord change, creates such a nice harmonic forward motion that makes you want to hear (and play) more.

  5. I am a big fan of bossa nova piano. I really like this piece because it has two different rhythm and they are played by two different instruments, the bass and drums. This can be easily accomplished in order to make an interesting arrangement for your next concert or show

JPC glossary / key

  • RH – right hand
  • LH – left hand
  • HT – hands together
  • CM – contrary motion (to move in opposite directions)
  • Harmonically – to play as chords (all notes together at once)
  • Melodically – to play as a melody (single note) – arpeggiate
  • R7, R3, R37 – chord shells (Root-7th, Root-3rd, Root-3rd-7th respectively)
  • bpm – beats per minute. Refers to the metronome setting