Drop 2 voicings piano technique formula is an essential jazz piano technique. In this article we're going to explore a classic jazz piano sound - drop 2 chords.
Drop 2 voicings, though simple, can be used to create some beautifully rich jazz harmony and are incredibly helpful when working as an orchestrator or arranger. This is a simple but powerful way to create beautiful jazz harmonies and can be very useful for anyone writing or arranging music.
In a regular four-note chord, all the notes are stacked close together. But with drop 2 voicings, the second-highest note is moved an octave lower, creating a more spread-out sound that feels fuller and richer. Musicians love this style because it provides a nice balance between a simple structure and a rich, pleasing sound.
These voicings are great for both playing background harmony and leading a melody. They work well with any instrument, whether you're playing the piano, guitar, or even arranging music for a brass or vocal group. Drop 2 voicings are a versatile tool that can make your music sound deeper and more interesting without being too complicated.
Here, we're going to learn how to construct drop 2 chords, when we can use them, and we'll also look at a couple examples of drop 2 chords being used on classic jazz standards.
In piano music, "open" and "closed" voicings refer to how the notes of a chord are arranged.
Closed Voicings:
Open Voicings:
So, closed voicings offer a tight, dense sound, while open voicings create a broader, more expansive feeling. Both styles are useful and are chosen based on the specific musical context and desired effect.
First some vocabulary. "Closed-position" refers to a chord within an octave range or less, while "open-position" refers to a range larger than an octave. Drop 2 chords (or drop 2 voicings) refer to taking a closed-position chord and dropping the second-highest note down an octave in order to create an open-position chord. Let's look at an example.
On the left we have a D minor 7 chord in root position (closed-position because the entire chord is within an octave range). On the right we have the same D minor 7 as a drop 2 chord, now in open-position (larger than a one octave range):
Play these two chords at the piano to hear the difference between the two.
Drop 2 chords are very useful in all kinds of jazz arranging. Many composers and arrangers have used this device when writing big band music and scoring for saxes and brass instruments. As pianists we are especially fortunate because drop 2 chords sound great at the piano and can be used at slow and fast tempos.
Drop 2 chords are incredibly helpful for jazz musicians when arranging and writing music. The "drop 2" technique has been used by many composers and arrangers to create exciting big band music, especially when writing for saxophones and brass instruments like trumpets and trombones.
Here's why drop 2 chords are so versatile:
For pianists, this technique is especially useful because:
One particularly effective use is to harmonize melodies on jazz standards. Let's take a look at a couple examples.
On this arrangement of Duke Ellington's "In a Sentimental Mood" drop 2 voicings are used in measure 5 as the melody ascends. Here is the lead sheet version of the measure:
The next step is to harmonize this passage in closed-position voicings using Dm7 and D7 harmonies, such as this:
In order to create drop 2 voicings, we simply take the second highest note in each chord and drop it down one octave (i.e., "drop 2" = move the 2nd note from the top down an octave). This results in an open-position chord which has wider spacing between the notes of the chord and therefore sounds a bit larger.
To create drop 2 voicings, we take the second highest note in a chord and move it down one octave. An octave is the distance between one musical note and another of the same name but at a different pitch. For instance, if the second highest note is a G, moving it down one octave means playing a lower G. The term "drop 2" comes from the idea of dropping this second-highest note by an octave.
After doing this, the chord’s notes will be more spread out, creating what's called an "open-position" chord. In an open-position chord, the notes are not all stacked closely together but are spread further apart. This gives the chord a fuller, more spacious sound that feels richer and bigger.
Think of it like stacking building blocks: if you arrange them neatly and tightly together, it makes one type of structure. But if you space them out, you create a different, larger structure. Drop 2 voicings work in the same way, providing chords that can give your music a unique and interesting sound while keeping it simple and elegant.
We can call this our drop 2 voicings piano formula.
Let's look at another example of using the drop 2 voicings piano formula on the classic jazz standard "The Days of Wine and Roses." In this example we'll look at measures 25-26. Here is the original lead sheet version of this passage:
Next we'll harmonize these chords in closed-position voicings, resulting in something like this:
And lastly, we will drop the second highest note from the top down one octave, resulting in a drop 2 chord and an open-position voicing:
Here’s a summary of key points for an aspiring jazz piano player to practice based on this article:
Understand Drop 2 Voicings:
Practice Chord Construction:
Explore Different Jazz Standards:
Use in Various Arrangements:
Practice Formula:
Broaden Musical Horizons:
By practicing these points, you'll expand your skills as a jazz pianist and enhance your ability to create beautiful, sophisticated harmonies.
Now start practicing this technique in your own piano arrangements!
Here are some jazz standards where drop 2 voicings work particularly well:
Each of these songs features rich harmonic progressions that provide ample opportunities for pianists to use drop 2 voicings creatively.
It is also a great idea to look into and practice the "locked-hand" style of jazz piano.
The "locked hands" style of jazz piano is a fun and dynamic way to play that can make your piano playing sound really full and lively. Imagine playing both the melody and the harmony of a song all at once, right under your fingertips—that's what locked hands style is all about!
Here’s how it works:
The style was popularized by pianists like George Shearing and Nat King Cole. It’s great for jazz tunes where you want a smooth, flowing sound, and it really showcases a pianist’s ability to blend melody and harmony creatively.
Locked hands style is like having a mini orchestra right under your fingers—you control the lead singer (the melody) and the background singers (the chords) all at once, creating a full, harmonious sound.